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EL AMANTE URUGUAYO (Spanish Edition), by Santiago Roncagliolo
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A partir de la historia literaria y personal del escritor uruguayo Enrique Amorim, y particularmente de su relación con el poeta español Federico García Lorca, se reconstruye lo más interesante de la escena artística entre las décadas de 1920 y 1960. Se confirman algunas verdades: Neruda era un hombre de amigos y enemigos entrañables; Aragon dominaba la vida cultural francesa; Quiroga vivía atormentado por sí mismo. Se despejan algunas dudas: Picasso fue ninguneado por el Partido Comunista; Chaplin fue absurdamente perseguido; Borges no sabía nada de fútbol. Pero, sobre todo, se abren interrogantes: ¿Amorim consiguió adueñarse del cadáver de García Lorca? ¿Es el cuerpo del poeta granadino el que se halla tras un monumento en la ciudad uruguaya de Salto? A través de una investigación a un lado y otro del Atlántico, Santiago Roncagliolo ha buscado responderlas. ENGLISH DESCRIPTION Santiago Roncagliolo takes the life of Uruguayan author Enrique Amorim—particularly his relationship with Spanish poet Federico García Lorca—to reconstruct the most interesting aspects of the artistic scene in the decades between the 1920’s and 1960’s. Truths are confirmed: Neruda was a man of profound friendships and enmities; Aragon dominated French cultural life; Quiroga lived in constant selftorment. Suspicions are cleared: Picasso was belittled by the Communist Party; Chaplin was preposterously hounded; Borges knew nothing of soccer. And new questions Roncagliolo strives to respond arise: Did Amorim seize García Lorca’s remains? Are they buried in a monument in Salto, Uruguay?
- Sales Rank: #1845035 in Books
- Published on: 2012-09-25
- Original language: Spanish
- Number of items: 1
- Dimensions: 7.50" h x 1.02" w x 5.00" l, .75 pounds
- Binding: Paperback
- 400 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
Una (buenisima) historia real
By Sofia L.
Una buenisima historia que nos lleva desde el Uruguay de los '20 hasta el Paris de los '50, siguiendole los pasos a Enrique Amorim, el supuesto amante de Lorca y "groupie" original de las artistas de la vanguardia de la epoca.
Muy bien hecho Roncagliolo!
3 of 5 people found the following review helpful.
This faux-biographer is no García Lorca fan.
By Joseph F. Delgado
Este libro interesa principalmente por referencia a momentos histórico-culturales, pero Santiago Roncagliolo se refiere a García Lorca con un dejo de desprecio y una evidente intención de tumbar al ídolo del pedestal. No sabemos, por su descripción, si sus alegatos están verdaderamente fundados en un hechos innegables o en deducciones y sospechas. Se ampara principalmente en observaciones subjetivas y obviamente tendenciosas de gente que no estaban impresionados con García Lorca para describir las actividades de éste en Buenos Aires: lo mejor que dicen del poeta es que era arrogante, egocéntrico y vago. Luego toma aseveraciones sin fundamento ni prueba como realidad: por ejemplo, que Entrique Amorim haya dicho que tenía enterrados en Salto los restos de García Lorca no representan evidencia contundente de nada.
En las primeras 20 páginas del texto, Roncagliolo afirma que no hay versión completa de la obra dramática surrealista de García Lorca, "El público". Esta obra tuvo su estreno mundial en abril del 1978 en el Teatro de la Universidad de Puerto Rico, promovida por mi amigo el doctor Juan Antonio Rodríguez Pagán. La obra se presentó tan completa como el texto en que se basó.
Una vez leí esa referencia incorrecta de Roncagliolo, se me aniquiló la presunción de veracidad del resto del libro.
0 of 0 people found the following review helpful.
Good quality and very fast shipping as promised
By Alice
I just got mine! Thank you! Good quality and very fast shipping as promised! :)
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