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Freedomland, by Richard Price
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In 1998, Richard Price returned to the gritty urban landscape of his national bestseller Clockers to produce Freedomland, a searing and unforgettable novel about a hijacked car, a missing child, and an embattled neighborhood polarized by racism, distrust, and accusation. Freedomland hit bestseller lists from coast to coast, including those of the Boston Globe, USA Today and Los Angeles Times; garnered universally rave reviews; and was selected as the Grand Prize Winner of the Imus American Book Award and as a New York Times Notable Book. On May 11, this highly lauded bestseller is available in paperback for the first time.
A white woman, her hands gashed and bloody, stumbles into an inner-city emergency room and announces that she has just been carjacked by a black man. But then comes the horrifying twist: Her young son was asleep in the back seat, and he has now disappeared into the night.
So begins Richard Price's electrifying new novel, a tale set on the same turf--Dempsey, New Jersey--as Clockers. Assigned to investigate the case of Brenda Martin's missing child is detective Lorenzo Council, a local son of the very housing project targeted as the scene of the crime. Under a white-hot media glare, Lorenzo launches an all-out search for the abducted boy, even as he quietly explores a different possibility: Does Brenda Martin know a lot more about her son's disappearance than she's admitting?
Right behind Lorenzo is Jesse Haus, an ambitious young reporter from the city's evening paper. Almost immediately, Jesse suspects Brenda of hiding something. Relentlessly, she works her way into the distraught mother's fragile world, befriending her even as she looks for the chance to break the biggest story of her career.
As the search for the alleged carjacker intensifies, so does the simmering racial tension between Dempsey and its mostly white neighbor, Gannon. And when the Gannon police arrest a black man from Dempsey and declare him a suspect, the animosity between the two cities threatens to boil over into violence. With the media swarming and the mood turning increasingly ugly, Lorenzo must take desperate measures to get to the bottom of Brenda Martin's story.
At once a suspenseful mystery and a brilliant portrait of two cities locked in a death-grip of explosive rage, Freedomland reveals the heart of the urban American experience--dislocated, furious, yearning--as never before. Richard Price has created a vibrant, gut-wrenching masterpiece whose images will remain long after the final, devastating pages.
- Sales Rank: #16014140 in Books
- Published on: 1999-10
- Original language: English
- Dimensions: 7.25" h x 3.75" w x 1.50" l,
- Binding: Library Binding
Amazon.com Review
Actor Joe Morton takes on all the roles of this audiocassette's multicultural cast of characters. His grasp of New Jersey accents, dialects, and inflections is flawless, imbuing all of Richard Price's carefully drawn characters with a gritty sense of authenticity. Morton's crisp, controlled narration propels the story forward with taut, edgy suspense. As he reads, he glides effortlessly from his role as narrator to those of the main characters. Single mother Brenda Martin speaks with a breathy, stammering, and truly fear-permeated voice, while the introspective African American detective, Lorenzo Council, has a clipped, businesslike manner of speaking. Morton takes equal care in bringing to life Price's minor characters, whether portraying a no-nonsense, white New Jersey housewife whose voice has been made coarse by too many cigarettes, or an African American Muslim preacher whose commanding bass voice isn't quite powerful enough to spur his community to action. Morton's greatest achievement, however, is his characterization of Council's jaded, middle-aged white partner, Bump. When Morton slips into the role of Bump, his growling, Jersified Brooklynese is so startling, it almost seems that a life-long resident of Hoboken has stepped into the recording studio and appropriated Morton's microphone. The recording is slightly marred by occasional intrusions of synthesized music that are, for the most part, superfluous and distracting, but Morton's acting abilities and vocal agility are more than sufficient to keep any listener riveted. (Running time: four hours, four cassettes) --Elizabeth Laskey
From Publishers Weekly
Set in the same blasted New Jersey ghetto as his much-admired Clockers (1992), Price's first novel since that bestseller is less a sequel than a monumental complement played in minor key, a re-visitation by an author who's older, sadder, wiser. The story flows from an event drawn from headlines: Brenda Martin, a white woman, staggers bleeding into a hospital to claim that her car has been hijacked by a black man?with her four-year-old son in the backseat. The jacking allegedly occurred in the park that divides the largely black city of Dempsey from the white-dominated city of Gannon. In response, Gannon cops seal off and invade D-Town, inflaming racial tensions and attracting an army of media. As in Clockers, Price again scans urban life through two protagonists, one black, one white?here, black Dempsey cop Lorenzo Council and white local reporter Jesse Haus. As both draw close to grief-crazed Brenda, one question propels the narrative: Is she telling the truth? The answer and its violent aftermath are equally inevitable, as Price snares the surface and the substance of America caught in a slow-motion riot of racial rage. His language is street-fresh, his dialogue as if eavesdropped; his characters are soulful, flawed, dead real. Price's experience as a screenwriter (The Color of Money, etc.) shows in the predictable dramatic arc of his tale, but the novel is no less powerful for its popular bent. Within its structural confines, the story line veers in unexpected directions, with each detour bringing readers closer to Price's ultimate vision?that our nation's hope lies not in social movements but in the flame of humaneness that flickers in each of us, cop and criminal, black and white. 125,000 first printing; $175,000 ad/promo; BOMC and QPB alternates; first serial to the New Yorker; film rights to Scott Rudin/Paramount for $2 million; simultaneous BDD audio; author tour.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Price hits another home run with this follow-up to the critically acclaimed Clockers, set in the fictional city of Dempsy, NJ, a place that bears both spiritual and geographical similarities to Jersey City, NJ. At the tale's vortex is Brenda Martin, a fragile, white single mother who was apparently pulled from her car by a black male while driving through Dempsy's Armstrong housing project. When a hysterical Brenda blurts out that her four-year-old son was asleep in the back seat at the time of the carjacking, a swarm of reporters, cops, and the curious descend on Dempsy. With cops from neighboring Gannon?Brenda's hometown?aggressively laying seige to Armstrong, Dempsy detective Lorenzo Council, himself an Armstrong product, must negotiate a political and social minefield as racial animosities between Dempsy and Gannon threaten to explode. Price's characters are, as usual, dead-on, and the his eye for unflinchingly capturing humans at their very best?and very worst?is unrivaled. Highly recommended.?Mark Annichiarico, "Library Journal"
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
1 of 1 people found the following review helpful.
This Book Has No "Soul"
By James Barton Phelps
I've heard a lot about Richard Price. He's a great writer. Good ear. Knows his stuff, etc. etc. And he may be all of these things, have all these capabilities; but this is a downer book. I picked it up, read the first fifty pages, glanced at some middle parts and read the ending and put it down as a waste of time. Noir all the way. Conventional characters. Depressing - nay, deadly, locale. And in the end it gets you absolutely nowhere. Nothing there at all.
1 of 3 people found the following review helpful.
Heavy Stuff
By Marco Polo "Bruce"
At 655 pages, the book weighs about 28 pounds, so don't look to this as "light" reading. It won't fit easily in a purse, and it's hard to grip if you're reading in bed at night and have to lie on your side to not wake the boyfriend.
As big as it is, it sometimes feels claustrophobic because it follows, minute by excruciating minute, a series of events that take place over a few hot summer days. At times I wanted to scream, "Get me out of here!", wishing for a different book with breaks in the plot line, stretching the story out over weeks or months or changes of season.
Nonetheless I couldn't put "Freedomland" down. Heavy as it is. It punched me in the gut more than once and by the end I felt as battered as most of the main characters.
Everyone involved with this book, characters as well as readers, ends up bruised in some way, or dead.
23 of 24 people found the following review helpful.
Has some great moments, but drags in places
By B. McEwan
I'm glad that I read this book, although there were a number of places where I felt that the author should have picked up the pace in order to maintain momentum and reader interest. While this novel is a crime drama, the fact that it deals with matters of race, trust and the elusive nature of truth makes it worthy of more consideration than the usual page turner.
I won't recount the plot, as an outline of the action is easily available elsewhere. I would like to single out a couple of passages, though, because they highlight the elegant prose that Richard Price is capable of and also struck a chord with me in that I have encountered similar situations in my own experience.
Take, for example, the opening of chapter 11, "The Dempsey County jail stood half demolished, and the only surviving section of exterior wall, the southwest corner, was a grotesquely defiant crumble of plaster and brick, a raised fist thrust into the flawless blue of a hot summer morning. The prison bars, running the entire length of the building but hidden from view for ninety years by a sooty gray facade, had now, in these final days, revealed the building for what it truly had been: a seven story cage."
The beauty of the writing, combined with the startling and rather violent imagery of the fist and the cage, made a strong impression on me and bore home the stark reality that jails are cages in which we shut up our fellows like animals, often when they are innocent. I have not read many other novels that are so evocative and at the same time hard hitting.
Another passage that really hit home with me is this one, near the end of the book, which is an excerpt of a conversation between two black men, one a cop and the other a suspect: "I don't know too many bald-faced crackers, to be honest. I mean...but still, it's like most white people -- for me -- I feel like they're not so much talking to me as they're *watching* themselves talk to me -- like, admiring themselves talking to me -- and I play this guessing game. How many minutes into this conversation -- no matter what we're talking about right now -- could be sports, the market, could be the weather -- but how many minutes is it gonna take for *race* to come up. How long is it gonna take for the fact that it's a white person talking to a black person to take over and change the subject, turn the subject into something racial. It never fails. *Never.* And I don't know how you deal with it, but for me it's nerve-racking, and it's boring."
This blew me away, and I found myself thinking back to recent conversations I had with black people, hoping that I didn't do that, but having this underlying worry that maybe I did. The interactions among people in day to day life are never simple, but race makes everything more complex and I really appreciate the way that Price acknowledges that fact.
For me, Price didn't over dramatize or over emphasize the role that race plays in all situations, never mind something as volatile as the disappearance of a child. And his characterizations seem dead on, not only for those characters who exemplified people I have met in my own life, but for characters who I can only imagine knowing. Take the creepy Friends of Kent, for example, who are a group of volunteers who search for missing kids. The personalities of these folks seem very believable, as does the character of Brenda, the mother who is the centerpiece of the story.
Overall, I recommend this book to those who enjoy a provocative character study. But if you're looking for a good crime thriller, Freedomland is probably a bit heavier than you really want. This is actually a story about a woman's denial of her failure to be a good parent, and the shattering results that her denial entails for many others in her community.
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