Ebook Photography: A Cultural History 3th (third) edition, by Mary Warner Marien
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An excellent text delving into the culture and history of photography. Book is divided into easy-to-digest chapters and summarizes each chapter with "Retake."
- Sales Rank: #5672168 in Books
- Published on: 2010
- Binding: Paperback
Most helpful customer reviews
5 of 5 people found the following review helpful.
Pretty great textbook
By tweakletoes
This was required for a 400-level history of photography class. The pictures in it are gorgeous, and the history was pretty thorough in that it seemed to cover all the major photographers of a given era (then my professor would go into greater detail about them individually). This book covers a TON of photographers, eras, movements, and so on. It does get a little dry, but it's easy to read. It's a huge and heavy book, so try not to have to cart it around everywhere you go.
3 of 3 people found the following review helpful.
Absolutely Fantastic!
By Alia Haig
Worth every penny! I actually have to read each chapter for class, and if it weren't for that I wouldn't have read every word; but I'm glad I did! Fantastic book, beautifully put together, lots of information, incredible photography and simply the best text book I have every read in my entire school life! Beautiful as week to have on the coffee table for guests to read, if you don't plan on cramming through.
7 of 9 people found the following review helpful.
The last word in the sociology of photography
By alan216
The last word in the sociology of photography: a truly encyclopaedic tome. Warner proceeds from the invention of photography across genres ( war, documentary, social sciences, mass media, post-modernism, youth and beauty and so on) Her categories are broad-ranging, free and eclectic: even a cursory reading of the contents page is instructive! The format proceeds more or less chronologically through the photographers who have made their mark in photographic and art history, contextualising them within the time and the place ( this is neither a Euro nor Americo-centric work) including illustrations of their work with extended captions, a contextualisation of the genre in the history and then a brief summarising "retake" at the end of every chapter, a "focus" page on a topic or a person, all the way to the stirrings of digital technology. It's referenced, with a good bibliography: I cannot imagine a better single volume introduction to photographic criticism and appreciation. In style, it's dense, compacting a lot into a small space, but nonetheless very readable: to dip or to burrow into with equal pleasure. A desert island book.
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